REVIEW: Wind River (2017) dir. Taylor Sheridan
Wind River feels like the cross-fusion of an NPR tale spun around the grim fantasies of crime thrillers like Law & Order…
2017
PROMOTION PALS: The Emoji Movie: We Don’t Like Joking About This Garbage
PROMOTION PALS is an ongoing series where two life-long pals, W. Logan Freeman and Anders Croft (Andy), experience corporate promotional schemes for new Hollywood releases and…
PROMOTION PALS: TRANSFORMERS: THE LAST KNIGHT is a Post-Apocalyptic Finnegan’s Wake for This Age...
PROMOTION PALS is an ongoing series where two life-long pals, W. Logan Freeman and Anders Croft, experience corporate promotional schemes for new Hollywood…
CANNES REVIEW: The Killing of a Sacred Deer (2017) dir. Yorgos Lanthimos
The Killing of a Sacred Deer (2017) is a perfect follow-up to The Lobster (2015) in that it effectively divides the most…
CANNES REVIEW: The Meyerowitz Stories (2017) dir. Noah Baumbach
There are few directors so brilliantly obsessed with the minutiae of growing up as Noah Baumbach. Between his representations of post-graduate life…
REVIEW: Alien: Covenant (2017) dir. Ridley Scott
In 2012, Ridley Scott — in collaboration with Damon Lindelof — released a prequel to his treasured 1979 masterpiece, Alien. Brazenly titled Prometheus, the…
CANNES REVIEW: Okja (2017) dir. Bong Joon-Ho
It is with great honor that I award Bong Joon Ho’s latest masterpiece, Okja (2017), the label of ‘the most flamboyant parody…
Twin Peaks Social @BRATTLE
That gum you like is going to come back in style… this time with friends! The Brattle Theatre is hosting what might…
Sing
Sing 2017 dir. Garth Jennings 108 min.
Sing
Sing 2017 dir. Garth Jennings 108 min.
REVIEW: Guardians of the Galaxy Vol. 2 is One for the Weirdos
Marvel Comics is defined by 78 years worth of melodrama, wrapped in a universe textured by villains and heroes who mirror both…
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