REVIEW: Dark Waters (2019) dir. Todd Haynes
Todd Haynes has never made a movie he didn’t want to make. Starting with the AIDS-metaphor triptych Poison (or further back, the…
Film Review
REVIEW: White Snake (2019) dir. Amp Wong & Ji Zhao
An imagined prequel to a Chinese folktale as told by your crazy great-uncle
REVIEW: Queen & Slim (2019) dir. Melina Matsoukas
Queen & Slim is the feature directorial debut of lauded music video director Melina Matsoukas (Lemonade). It was written by Emmy Award-winning…
REVIEW: Knives Out (2019) dir. Rian Johnson
For whatever reason, there aren’t a lot of Thanksgiving movies. There’s Thankskilling, and its were-turkey predecessor Blood Freak (Eli Roth’s Thanksgiving sadly…
REVIEW: Waves (2019) dir. Trey Edward Shults
Teenagers are constantly busy and burdened, both by the choices they make for themselves and choices that parents make for them. This…
REVIEW: Marriage Story (2019) dir. Noah Baumbach
Noah Baumbach (Frances Ha, Kicking and Screaming) has raided the Netflix vault for the second time and has directed one of the…
REVIEW: Honey Boy (2019) dir. Alma Har’el
There isn’t a celebrity right now who is more of an enigma than Shia LaBeouf. The one-time child star turned drunken hooligan…
REVIEW: A Beautiful Day in the Neighborhood (2019) dir. Marielle Heller
Everyone, it seems, is desperate for kindness to return to our society in the form of Mr. Rogers. Fred Rogers was a…
REVIEW: Ford v Ferrari (2019) dir. James Mangold
American history as the birth of the Ford GT40 beating foreign cars <<< Boston culture as Matt Damon in a race car
REVIEW: The Report (2019) dir. Scott Z. Burns
Kylo Dark Thirty
REVIEW: The Irishman (2019) dir. Martin Scorsese
Martin Scorsese is our greatest working filmmaker. At this point, this is scarcely up for debate; no director has given us so…
Review: Frozen II (2019) dir. Chris Buck & Jennifer Lee
After six years, Elsa, Anna, Olaf, and Kristoff are back for another icy musical adventure in Frozen II. You may be asking,…
