REVIEW: The Painter and the Thief (2020) dir. Benjamin Ree
Now available via the Coolidge Corner Theatre's Virtual Screening Room
documentary
REVIEW: Capital in the Twenty-First Century (2019) dir. Justin Pemberton
Now available via the Coolidge Corner virtual screening room
REVIEW: The Booksellers (2019) dir. D.W. Young
Now available from the Coolidge Virtual Screening Room
CINEMA QUARANTINO: The September Issue (2009) dir. R.J. Cutler
Now streaming on Amazon Prime
REVIEW: Present.Perfect. (2019) dir. Shengze Zhu
In no intended exaggeration, social media has evolved into a new dimension of living. Beyond the worn and beaten paths of VSCO…
REVIEW: In Search of Darkness (2019) dir. David A. Weiner
As any horror fan will tell you, the 1980s were a special time for the genre. Pound for pound, they may…
REVIEW: Where’s My Roy Cohn? (2019) dir. Matt Tyrnauer
The Matt Tyrnauer-directed Where’s My Roy Cohn? is a pretty tragic misfire, and Cohn is such a fascinating and urgently pertinent figure…
FIVE QUESTIONS: ‘JACK AND YAYA’ directors Jen Bagley and Mary Hewey
Premieres Thursday, 10/3 @ BRATTLE
ROXFILM REVIEW: Toni Morrison: The Pieces I Am (2019) dir. Timothy Greenfield-Sanders
A film chronicling Toni Morrison’s attraction to the revolutionary power of words, as well as her joy for writing from the black…
It Must Be Schwing! – The Blue Note Story
It Must Be Schwing! – The Blue Note Story 2018 dir. Eric Friedler 115 min. Part of The National Center for…
IFFBOSTON REVIEW: Not for Resale (2019) dir. Kevin J. James
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REVIEW: Hail Satan? (2019) dir. Penny Lane
God bless the Satanists
