REVIEW: Deerskin (2020) dir. Quentin Dupieux
Now available via the Brattle & Coolidge virtual screening rooms
Now available via the Brattle & Coolidge virtual screening rooms
And, finally, here we are: my last feature review from the 2019 Boston Underground Film Festival. As you can undoubtedly tell, it’s…
Dreamy, washed-out images of two beautiful men getting it on in an open field fill the screen in the opening scene of…
In 1932, Tod Browning had as safe a claim as anyone on the title of “Greatest Horror Director Alive”: following a string…
After Saturday’s screening of Mary Jane’s Not a Virgin Anymore, I sat down with the directors of Clickbait, Michael J. Epstein and Sophia…
The animated shorts of the Boston Underground Film Festival are always a highlight. Each one brings something unique to the Brattle: some…
It says a lot, both about the audience and the studio, that the A24 logo at the beginning of BUFF’s secret midnight…
Before last week, I had never heard of Sarah Jacobson’s sole feature film, Mary Jane’s Not a Virgin Anymore. Now I’m just angry…
While introducing Saturday’s screening of The Nightshifter, the feature debut from Brazilian short film maestro Dennison Ramalho, a representative of BUFF explained…
Disaster movies are a staple in the United States, and boy do we have an abundance of films to choose from. Armageddon,…
Every day is like survival, according to Culture Club, and this couldn’t be more true for closeted queer kids, particularly those in…
Social media is a funny thing. Ostensibly, it allows an unprecedented window into people’s lives, a glimpse, in real time, into the…