REVIEW: The Bad Batch (2017) dir. Ana Lily Amirpour
Director Ana Lily Amirpour erupted into the film world in 2014 with her low-budget “Iranian vampire Western” A Girl Walks Home Alone at Night. The…
review
REVIEW: It Comes At Night (2017) dir. Trey Edward Shults
It seems lately that there has been a big issue in marketing departments all throughout Hollywood, as if these companies don’t 100%…
REVIEW: Your Name (2016) dir. Makoto Shinkai
@Coolidge Corner starting 4/7
REVIEW: La La Land (2016) dir. Damien Chazelle
I wanted to enjoy La La Land. I really did. I was, in fact, fawning over the idea of a big Hollywood musical directed…
REVIEW: Moonlight (2016) dir. Barry Jenkins
There’s a moment in the middle of Moonlight where Chiron — the main character, a queer young black man growing up in…
REVIEW: Theo Who Lived (2016) dir. David Schisgall
Theo Who Lived (2016) is the story of Theo Padnos and his time spent in captivity under Al Qaeda. While the story…
REVIEW: I Am Not a Serial Killer (2016) dir. Billy O’Brien
When the stars threw down their spears, and water’d heaven with their tears, Did He smile His work to see? Did He…
Pony Time – Rumours 2
It’s no secret that the Pacific Northwest has a storied history of producing stellar bands that bubble their way up from the…
Gobby – “The Dishwasher”
Just over two years ago in my very first review for this site, which also happened to be a Gobby video review,…
The Repos — Poser
Poser is a first class ripper from the long-running Chicago band Repos, because you can’t spell Poser without Repos, donthcaknow? This “album”…
Cobalt — Slow Forever
For the past several years, having the label Profound Lore attached to a record has been a surefire sign that said record…
Puce Mary — The Spiral
With a name that evokes both the vile and the virginal, Puce Mary, aka Frederikke Hoffmeier, has proven herself over the course…
