REVIEW: I Am Not a Serial Killer (2016) dir. Billy O’Brien
When the stars threw down their spears, and water’d heaven with their tears, Did He smile His work to see? Did He…
review
Pony Time – Rumours 2
It’s no secret that the Pacific Northwest has a storied history of producing stellar bands that bubble their way up from the…
Gobby – “The Dishwasher”
Just over two years ago in my very first review for this site, which also happened to be a Gobby video review,…
The Repos — Poser
Poser is a first class ripper from the long-running Chicago band Repos, because you can’t spell Poser without Repos, donthcaknow? This “album”…
Cobalt — Slow Forever
For the past several years, having the label Profound Lore attached to a record has been a surefire sign that said record…
Puce Mary — The Spiral
With a name that evokes both the vile and the virginal, Puce Mary, aka Frederikke Hoffmeier, has proven herself over the course…
The Body — No One Deserves Happiness
It has been a joy to watch decidedly un-joyous avant metal duo The Body grow and evolve over the years. From their…
Pookie & The Poodlez — “New Policy”
It’s Easter Sunday! And what does Easter Sunday bring to mind? Anthropomorphic rabbits! And what do anthropomorphic rabbits have to do with…
Infera Bruo — In Conjuration
It’s a shame that it took this site about half a year to get around to reviewing In Conjuration, the masterful third…
Peach Kelli Pop — “Heart Eyes”
The brilliant Peach Kelli Pop, whose last album made my end-of-year list for this very site, are back in 2016 with a…
Isolde Touch — Secretary of Sensation
Asha Sheshadri, the person behind the Isolde Touch moniker, has worked out of many locales in these United States. From years spent…
In Review: Waywords and Meansigns, Recreating Finnegans Wake (In Its Whole Wholume)
We write to waste no words, suspended in a tremor diffused from hours of listening to three chapters of Finnegans Wake in…
