REVIEW: Guillermo Del Toro’s Pinocchio (2022) dir. Guillermo Del Toro and Mark Gustafson
Stop-motion brings the wooden boy to life in a fascist hellscape with spectacular results
Articles by
Kyle Amato
REVIEW: Black Panther: Wakanda Forever (2022) dir. Ryan Coogler
A cinematic universe tries to entertain while grieving an icon
INTERVIEW: “Please Baby Please” Director Amanda Kramer
The director of the recent festival darling on dance, relationships, and sensuality
REVIEW: Wendell & Wild (2022) dir. Henry Selick
A goth teen has demons to face in a new stop-motion frightfest
REVIEW: One Piece Film: Red (2022) dir. Goro Taniguchi
Luffy and friends face a musical mystery in the latest One Piece adventure
NYFF: Weekend Dispatch
A mother, a gardener, and a conductor walk into a film festival...
REVIEW: Catherine Called Birdy (2022) dir. Lena Dunham
Lena Dunham directs a winning and joyful YA adaptation for all ages
REVIEW: The Woman King (2022) dir. Gina Prince-Bythewood
Viola Davis leads this thrilling tale from Africa's history rarely seen on film
REVIEW: Do Revenge (2022) dir. Jennifer Kaytin Robinson
A Netflix movie that feels like the start of a new era of teen black comedy
REVIEW: Pinocchio (2022) dir. Robert Zemeckis
This drab remake has a lot more to worry about than "no strings"
REVIEW: Dragon Ball Super: SUPER HERO (2022) dir. Tetsuro Kodama
Piccolo and Gohan finally get the spotlight in the latest Dragon Ball sequel
REVIEW: Prey (2022) dir. Dan Trachtenberg
The Predator takes the Great Plains in a back-to-basics prequel
