Man, the Institute of Contemporary Art Boston (ICA) has been upping their Free programming on Thursday nights and all you gotta do to take advantage is get there. Senior curator, JENELLE PORTER is as effortlessly cool as she is worldly (probably by default) and acts as moderator in this conversation with artists FAITH WILDING and BERYL KOROT whose installations are featured in her latest passion project, FIBER: Sculpture 1960-present. These artists have been keeping the conversation current since the 1970s regarding women, art, material and even technology. Listen and learn at another absorbing edition of THE ARTIST’S VOICE.
Thursday 11/6
The Artist’s Voice: Faith Wilding and Beryl Korot @ICA 7pm All Ages FREE
Check out some other images from FIBER: Sculpture 1960-present and make sure to catch it before it ends January 4th! Remember it’s FREE every Thursday after 5.
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- Elsi Giauque, Element spatial, 1979 Linen, silk, wool and metal, twenty frames. Photo by Arnaud Conne/AN
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- Jean Stamsta, Orange Twist, 1970. Wool, synthetic yard and wood. ©The Estate of Jean Stamsta
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- Olga de Amaral, Lattice woven Wall #66, 1970, Hand-spun wool and horsehair. Museum of Arts and Design, New York, Gift of the Dreyfus Corporation, through the American Craft Council, 1989, Photo by Eva Heyd
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- Diane Itter, Southern Borders, 1982. Linen. Museum of Arts and Design New York. Photo by Eva Heyd © Estate of Diane Itter
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- Claire Zeisler, Red Wednesday, 1967. Jute and wool. Photo by Eva Heyd
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- Jagoda Buic, Fallen Angel 1967
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- Sheila Hicks, Banisteriopsis II, 1965-66/2010, Wool and linen. ICA Boston/Gift of the artist in honor of Jenelle Porter © Charles Meyer
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- Faith Wilding, Crocheted Environment, 1972/1995. Woolworth’s Sweetheart acrylic yarn and sisal rope. The ICA Boston/ Gift of the artist ©Charles Meyer
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- Sheila Hicks, Banisteriopsis II, 1965-66/2010, Wool and linen. ICA Boston/Gift of the artist in honor of Jenelle Porter © Charles Meyer
