CineFest Latino Boston director Sabrina Aviles on Representation and Diversity
"We want to present much more nuanced and complicated stories that won’t necessarily make audiences comfortable.
Hassle Picks
View AllREVIEW: The Creator (2023) dir. Gareth Edwards
Both-Sidesing the Robopocalypse
GO TO: Event Horizon (1997) dir. Paul WS Anderson
Screens 9/29 @ Cinema Salem
REVIEW: Saw X (2023) dir. Kevin Greutert
Opens Friday, 9/29
RUTH E. CARTER: Great gowns, beautiful gowns
Part of a series honoring 2023 Coolidge Award winner Ruth E. Carter
Film Review
REVIEW: Saw X (2023) dir. Kevin Greutert
REVIEW: The Creator (2023) dir. Gareth Edwards
REVIEW: It Lives Inside (2023) dir. Bishal Dutta
REVIEW: El Conde (2023) dir. Pablo Larraín
REVIEW: Scrapper (2023) dir. Charlotte Regan
REVIEW: A Haunting in Venice (2023) dir. Kenneth Branagh
Go To
GO TO: Event Horizon (1997) dir. Paul WS Anderson
GO TO: Heaven’s Gate (1980) dir. Michael Cimino
GO TO: The Marriage of Maria Braun (1979) dir. Rainer Werner Fassbinder
GO TO: Evil Dead II (1987) dir. Sam Raimi
GO-TO: Upgrade (2018) dir. Leigh Whannell
GO TO: New Jack City (1991) dir. Mario Van Peebles
Features
CineFest Latino Boston director Sabrina Aviles on Representation and Diversity
RUTH E. CARTER: Great gowns, beautiful gowns
BLU-RAY REVIEW: Early Short Films of the French New Wave
Dispatches from TIFF 2023, Part Four
Dispatches from TIFF 2023, Part Three
James Ivory on 40 years of ‘THE BOSTONIANS’
GO TO: Heaven’s Gate (1980) dir. Michael Cimino
Screens Sunday 9/24 @ Brattle
REVIEW: It Lives Inside (2023) dir. Bishal Dutta
Opens Friday, 9/22
REVIEW: El Conde (2023) dir. Pablo Larraín
Malevolence faces the music
GO TO: The Marriage of Maria Braun (1979) dir. Rainer Werner Fassbinder
Screens 9/21 @ the Coolidge Corner Theatre
BLU-RAY REVIEW: Early Short Films of the French New Wave
Available now from Icarus Films
Dispatches from TIFF 2023, Part Four
Farewell Toronto, hello Hit Man
GO TO: Evil Dead II (1987) dir. Sam Raimi
Screens 9/16 @ Coolidge
Dispatches from TIFF 2023, Part Three
Kore-eda! Jude! Chastain!
Fresh Stream
“DSM” showcases the many individual styles of Brockton’s Van Buren Records
Sidebody Redefines Presence in Somerville Community
Frances Baker Showcases Her Mastery of Genres in “Soulful Baby”
Casually Introducing Mingko: A Reminder of Just How Good Indie Can Be
Dissecting the Right Side of Rig’s Brain
A Conversation with Gabe Gill about ‘How Memory Works’ (or doesn’t…)
The Peanut Gallery
@ REVIEW: Good Boy (2022) dir. Viljar Bøe
Oh trust me, this movie was positively tame. All you have to do is end up encountering the “furries” to…@ Notes on Barbenheimer Day
Fabio! Thanks so much for your thoughts– I know Hollywood can always be counted on to learn the wrong lesson,…@ Notes on Barbenheimer Day
i was reminded of your film reviews by your post this week on my playlist. I generally agree with your…
James Ivory on 40 years of ‘THE BOSTONIANS’
“I'm still doing stuff, and I've been enjoying myself.”
RUTH E. CARTER: All Black Everything
Part of the Coolidge Corner series honoring Ruth E. Carter
REVIEW: Scrapper (2023) dir. Charlotte Regan
A sincere, lighthearted truce between two family combatants
REVIEW: A Haunting in Venice (2023) dir. Kenneth Branagh
Who killed the blockbuster?
SERIES: Coolidge Award Honors Ruth E. Carter
Coolidge will feature five of the costume designer's films across her 30-year-career, followed by a Q&A with Carter on 10/15
Dispatches from TIFF 2023, Part Two
Dramedy, game show killers, and the newest final Miyazaki
Dispatches from TIFF 2023, Part One
Hamaguchi, Rossellini, and Aussie creeps
REVIEW: My Animal (2023) dir. Jacqueline Castel
Opens Friday, 9/8
Mister Goff, I appreciate your review. I don’t often go to the cinema nowadays because I don’t find the experience…