REVIEW: Men (2022) dir. Alex Garland
#OopsAllMen
REVIEW: Emergency (2022) dir. Carey Williams
Opens Friday, 5/20 @ Coolidge
‘Pain, freedom, and joy’: Ruben Feliz’s dreams of Basquiat
"Whatever emotion it is, whatever aspect of myself is trying to speak, I go in there ... My anger could tell a story for you."
The Chats at Paradise Rock Club
The Chats at Paradise Rock Club on 5/5/22 shot by Matheus Nogueira
REVIEW: Happening (2021) dir. Audrey Diwan
Opens May 13 @ Coolidge
Music
Chat Pile Announces Newest Album, God’s Country
A Conversation with Jordana — “Your originality is the thing that people are craving”
Introducing CLUB INDGO with “Are You in the Room”
The Underground Resurfaces: Infrastructure Festival, Spring 2022
Beyond High Tea, Onward to Beats & Rhymes – The Boston Public Library pursues...
ALBUM REVIEW: Pickaxe by Fracture Type
Film
GO TO: The Graduate (1967) Mike Nichols
GO TO: A New Leaf (1971) dir Elaine May
REVIEW: Pleasure (2022) dir. Ninja Thyberg
REVIEW: Men (2022) dir. Alex Garland
REVIEW: Emergency (2022) dir. Carey Williams
GO TO: The Taking of Pelham One Two Three (1974) dir. Joseph Sargent
Arts & Culture
The Unnatural / Shitfaced
The Underground Resurfaces: Infrastructure Festival, Spring 2022
“Feel the Burn: Q and A with LAVAGXRL”
‘Pain, freedom, and joy’: Ruben Feliz’s dreams of Basquiat
From the Actually Certainly Newsletter: To Be Honest April 22
This Week in Experimental Vol 91
GO TO: The Graduate (1967) Mike Nichols
Screening 5/24 @ Coolidge
The Unnatural / Shitfaced
Support your local Scene
GO TO: A New Leaf (1971) dir Elaine May
Big Screen Classics @ Coolidge Corner 5/23
REVIEW: Pleasure (2022) dir. Ninja Thyberg
Now playing at Kendall Square Cinema
The Underground Resurfaces: Infrastructure Festival, Spring 2022
Come on out to the Infrastructure Festival on May 27th!
GO TO: The Taking of Pelham One Two Three (1974) dir. Joseph Sargent
Screens Wednesday, 5/18 @ Somerville Theatre
Beyond High Tea, Onward to Beats & Rhymes – The Boston Public Library pursues...
Traditionally known for its quiet opulence with arched coffered ceilings and High Tea Sundays, the Boston Public Library is expanding its reach…
GO TO: Serial Mom (1994) John Waters
Screening 5/17 @ Coolidge
Fresh Stream
Chat Pile Announces Newest Album, God’s Country
A Conversation with Jordana — “Your originality is the thing that people are craving”
Introducing CLUB INDGO with “Are You in the Room”
ALBUM REVIEW: Pickaxe by Fracture Type
“Feel the Burn: Q and A with LAVAGXRL”
Kleo: “My Baby” (feat. ProSwervez, Ill Addicts & HaleyJadeEast)
LOCAL ALBUM OF THE MONTH 5/22
The Peanut Gallery
@ TREE: an authentic 90s hardcore punk band from Boston, Massachusetts
That’s not punk! That’s hard core rock n roll! SMH@ Does Boston Need Another Mega-Music Venue?
Dan Shea, I would like to learn more about your concept – we’re working on opening a 300-seat venue in…
REVIEW: On the Count of Three (2021) dir. Jerrod Carmichael
Now playing in theaters
REVIEW: The Automat (2021) dir. Lisa Hurwitz
Opens Friday, 5/13 @ Coolidge
GO TO: The Ring (2002) dir. Gore Verbinski
5/13 @ Somerville
GO TO: Out of the Blue (1980) dir. Dennis Hopper
New restoration screens @ Brattle 5/13-5/18
REVIEW: This Much I Know to Be True (2022) dir. Andrew Dominik
Screening one night only 5/11 @ Brattle
GO TO: Psycho (1960) dir. Alfred Hitchcock
5/8 @ THE BRATTLE
Kelsey Blackstone takes listeners to Wonderland with her new single, “Alice”
With the arrival of her new single, “Alice,” Kelsey Blackstone reflects on the circumstances behind the tune, and how following the white rabbit can truly be a gamble.
Guess What? You Like Disco Now. Lucius at Roadrunner
Dazzling musical duo Lucius took the stage at Boston’s newest venue, Roadrunner, with a prismatic tour de force performance of their new…
Pretty sure this semantic battle is one not worth shaking one’s head over, but whatever!! Let’s do it! WTF is…