REVIEW: Saturday Night (2024) dir. Jason Reitman
Ready for prime time?
GO TO: Le Samouraï (1967) dir. Jean-Pierre Melville
SCREENS 10/11 @ HFA
REVIEW: The Apprentice (2024) dir. Ali Abbasi
Does Trump Tower Trump?
REVIEW: The Outrun (2024) dir. Nora Fingscheidt
The days of wine and Ronan.
REVIEW: Joker: Folie à Deux (2024) dir. Todd Phillips
The Fame Monster.
Film Review
REVIEW: Saturday Night (2024) dir. Jason Reitman
REVIEW: The Apprentice (2024) dir. Ali Abbasi
REVIEW: The Outrun (2024) dir. Nora Fingscheidt
REVIEW: Frankie Freako (2024) dir. Steven Kostanski
GO TO: The Babadook (2014) Dir. Jennifer Kent
10/7 @ COOLIDGE CORNER
GO TO: The Omen (1976) dir. Richard Donner
SCREENS 10/5 @ COOLIDGE
REVIEW: Frankie Freako (2024) dir. Steven Kostanski
Ain't no party like a party-goblin party.
REVIEW: Sleep (2023) dir. Jason Yu
R/PLS_SLEEP
REVIEW: A Different Man (2024) dir. Aaron Schimberg
Kaufman's Kafka in NYC
REVIEW: White Bird (2024) dir. Marc Forster
Kindness saves—and kills
INTERVIEW: Jan Egleson on a Career in Boston Indie Cinema
'Six Films by Jan Egleson' screen 10/4-10/6 @ Brattle
PREVIEW/REVIEW: GRUENFELD dir. Albert Birney and the New/Next Film Fest in Baltimore!
10/3-10/6 @ Charles Theatre Baltimore!
GO TO: Training Day (2001) dir. Antoine Fuqua
SCREENS 9/30 @ COOLIDGE
REVIEW: Megalopolis (2024) dir. Francis Ford Coppola
Render unto Coppola
GO TO: Samurai Cop (1991) dir. Amir Shervan
SCREENS 9/27 @ COOLIDGE
INTERVIEW: Alessandra Lacorazza Samudio on “In the Summers”
"Trusting the audience is so important."
