REVIEW: We Live in Time (2024) dir. John Crowley
Love means never having to say... much of anything?
Film Review
REVIEW: Exhibiting Forgiveness (2024) dir. Titus Kaphar
Forgiveness doesn't equate welcoming
REVIEW: Saturday Night (2024) dir. Jason Reitman
Ready for prime time?
REVIEW: The Apprentice (2024) dir. Ali Abbasi
Does Trump Tower Trump?
REVIEW: The Outrun (2024) dir. Nora Fingscheidt
The days of wine and Ronan.
REVIEW: Frankie Freako (2024) dir. Steven Kostanski
Ain't no party like a party-goblin party.
REVIEW: Joker: Folie à Deux (2024) dir. Todd Phillips
The Fame Monster.
REVIEW: Sleep (2023) dir. Jason Yu
R/PLS_SLEEP
REVIEW: A Different Man (2024) dir. Aaron Schimberg
Kaufman's Kafka in NYC
REVIEW: White Bird (2024) dir. Marc Forster
Kindness saves—and kills
REVIEW: Megalopolis (2024) dir. Francis Ford Coppola
Render unto Coppola
REVIEW: The Wild Robot (2024) dir. Chris Sanders
Do androids dream of electric geese?
