Casablanca (1942) dir. Michael Curtiz
In every creative artform, there are certain inevitable rites of passage. Everyone who picks up an electric guitar will, at some point,…
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In every creative artform, there are certain inevitable rites of passage. Everyone who picks up an electric guitar will, at some point,…
presented by Boston Hassle!
If it’s true that a culture’s anxieties can be measured in its science fiction, then the genre may be poised at the…
Good old Satan. You can talk about your Wayne Newtons or your Jerry Lewises, but has anyone contributed as much to popular…
When writing about a repertory screening, I usually try to at least pay lip service to a certain measure of scholarly detachment….
As I compiled my 2017 cinematic Year-Ender, I was struck by something: Did I really see that many witch movies? My hands-down…
M. Night Shyamalan occupies a strange and unique cultural space. Following the “inspirational” family dramedy Wide Awake (which I’ve never seen, and…
Oscar Goff is the managing film editor for Boston Hassle and the Boston Compass, and has written for Film Flam since 2013….
The brilliance of Steven Spielberg’s “family” films is that they work just as well for adults and children. I don’t mean this…
It’s not particularly innovative at this point to assert that 2016 has been an absolutely hellish fucking bear of a year, with…
The holidays are a funny beast; everyone grows up believing their traditions are the norm, and everyone who celebrates differently is somehow…
Vincent Price was a fantastic actor. I think. I include the qualifier because it’s very difficult for me to judge Vincent Price…