REVIEW: The Disaster Artist (2017) dir. James Franco
Like many post-millennial cult movie fans, I have a long, fond history with Tommy Wiseau’s anti-masterpiece The Room. Not being based in…
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Like many post-millennial cult movie fans, I have a long, fond history with Tommy Wiseau’s anti-masterpiece The Room. Not being based in…
I’ll get it out of the way right of the bat: Santa Claus Conquers the Martians is not a very good movie….
Thirty-three years out from its release, This Is Spinal Tap has become something of an easy film to take for granted. Its…
Imagine, for a moment, that you are a producer of horror movies in the mid 1990s. You decide to take an evening…
When Harry Dean Stanton passed away last month at the age of 91, the reaction on my (admittedly film-centric) social media bubble…
To the casually acquainted– which is to say, fairly well-versed genre fans who have yet to go down his particular alley– Italian…
The awful thing about writing about the obstacles women face in any given field– in work, in the arts, in politics, in…
In the piece I wrote for the Coolidge’s twenty-fifth anniversary screening of Reservoir Dogs last month, I included a link to Who…
There is a prevailing stereotype among the American public at large about French cinema. The French, the argument goes, are unbearably pretentious,…
Herschell Gordon Lewis was pretty strong medicine when he burst onto the scene with 1963’s Blood Feast. America was just a few…
Reservoir Dogs turns 25 this year. That doesn’t seem right. I wasn’t old enough to remember its initial release, mind you– by…
It’s often said that video game movies are uniformly terrible. This is almost true. In fact, there are a handful of video…