REVIEW: Splitsville (2025) Dir. Michael Angelo Covino
The more the merrier
Dakota Johnson
Materialists: The Upside-Down Rom-Com
Song wants us to be someone’s certainty
REVIEW: Materialists (2025) dir. Celine Song
Intangible assets of a romantic film with the luxuries of a rom-com
REVIEW: Persuasion (2022) dir. Carrie Cracknell
Netflix's contemporary adaptation leans too heavily on modern influences
REVIEW: Cha Cha Real Smooth (2022) dir. Cooper Raiff
Now Playing at Coolidge Corner Theatre
GO-TO: The Lost Daughter (2021) dir. Maggie Gyllenhaal
Screening at the Brattle Theatre on 3/5 and 3/8
REVIEW: The High Note (2020) dir. Nisha Ganatra
Dakota Johnson shines in an escapist fantasy about the music industry
REVIEW: Suspiria (2018) dir. Luca Guadagnino
When it was announced in 2008 that Suspiria, Dario Argento’s legendary blacklight poster of a horror film, would be receiving a remake,…
