Roger Beebe: Films for One to Eight Projectors
The Film Study Center at Harvard University, Balagan Films, and the AgX Film Collective are pleased to welcome Ohio-based filmmaker Roger Beebe…
The Film Study Center at Harvard University, Balagan Films, and the AgX Film Collective are pleased to welcome Ohio-based filmmaker Roger Beebe…
Harvard’s CARPENTER CENTER has provided Boston with some fresh and compelling programming this summer and fall, including the upcoming exhibition that features the work…
Harvard’s Carpenter Center has provided Boston with some fresh and compelling programming this summer and fall, including the upcoming exhibition that features…
info via CCVA.fas.harvard.edu A conversation between Gloria Sutton and Carrie Lambert-Beatty on the occasion of the release of Sutton’s book, The Experience Machine:…
Info via ccva.fas.harvard.edu Created entirely from found images, ALBUM is a compilation of the first ten issues of the Scandinavian zine of the…
As the final event in the Black History/Art History Lecture and Performance Series, contemporary artist Laylah Ali will discuss John Brown Song! (2013), an online project commissioned by the Dia Art Foundation.
Krzysztof Wodiczko makes large-scale slide and video projections that animate public buildings, architectural façades, and monuments. His projections invite participants into a process of bringing to life the built environment with images of their faces or hands and the sounds of their voices.
Info via www.CCVA.fas.Harvard.edu Fernanda Fragateiro’s sculptures and installations depart from existing or recognizable design, architecture, publications, and artifacts—such as iconic chairs by Mies…
A conversation between Martin Beck and Liz Lerman moderated by James Voorhies will look closely at these artists’ work and experience with the Carpenter Center, discussed within the context of how the arts function and the role it plays in exhibition and educational capacities at Harvard University.
Simon Dybbroe Møller’s work deals with the weighty architecture of the pre-digital. Withstanding the present leap towards dematerialization and the progress narrative of technology, Møller tackles the very physical connections between our bodies and what we used to call nature.
Nina Beier’s practice charts lines of flight through the social and political problematics of representation and exchange, uncovering and re-shrouding phenomena so as to identify moments of conflict and correlation.
The senior thesis is the capstone of the undergraduate student’s work in the Visual and Environmental Studies (VES). The majority of theses in VES are practice-based, in studio arts or moving-image.