SKINNY BONES – NOISE FLOOR
Skinny Bones’ stunner Noise Floor defines itself by what it isn’t. Such a claim is seemingly puzzling and polemical, but it’s ultimately…
Articles by
Skinny Bones’ stunner Noise Floor defines itself by what it isn’t. Such a claim is seemingly puzzling and polemical, but it’s ultimately…
Ma Turner speaks his own musical language – or at least moves within a boundless, iterative musical system that enables some kind…
Byzantium Crow, as with last year’s self-titled release, musically mimics the many assumed guises of mythic luthier and multi-instrumentalist Stephen R. Smith….
One can find fleeting truth between open fifths. Micah Blue Smaldone, Mainer equally versed in punk and folk tropes, traces his tether…
Australian experimental guitarist and sound designer Oren Ambarchi, he of many releases and collaborative ensembles, quietly released Amulet a few months ago….
Longtime friends of the show Ed Schrader’s Music Beat are back, following up the left jab of 2012’s Jazz Mind with the…
Though Marisa Anderson – accomplished itinerant improviser – released “Traditional and Public Domain Songs” (Grapefruit) this past winter, the record seems sent…
Clay Rendering’s Waters Above the Firmament is a suite of textural-but-not-ambient, fuzzy-but-still-melodic pop. The record savors the dramatic trappings of its style…
If you’re going to San Francisco, be sure to bring some quarters for the arcade. “Spell Breakers,” a single from Burnt Ones’…
Forgive the impressionistic descriptions here, but the title track from Margaret Kammerer’s Why Is The Sea So Blue (Mikroton) is a musical…
In ancient times, one had to trek to a mountaintop sanctuary to consult the oracle. Mary Ocher channels the otherworldly ends of…
Providence basement punks Cottaging (members of Ukiah Drag, Libyans, Cult Ritual, Diet Cokeheads *breath*) recently got back from tour, toting this carbuncular…