INTERVIEW: Celine Song on “Past Lives”
"What I really wanted was for the visual language to speak for itself, walk on its own, and have its own beat."
Articles by
Anna Hoang
REVIEW: Joyland (2022) dir. Saim Sadiq
A true human experience
REVIEW: The Eight Mountains (2022) dir. Felix van Groeningen and Charlotte Vandermeersch
A friendship in preservation between two men
REVIEW: Blind Willow, Sleeping Woman (2023) dir. Pierre Földes
Animation in true Murakami form
REVIEW: Hypnotic (2023) dir. Robert Rodriguez
Forecast: Summer is here in Boston
REVIEW: Carmen (2022) dir. Benjamin Millepied
Performances informed by the decision to dance or die
REVIEW: Peter Pan & Wendy (2023) dir. David Lowery
This ship is going to sail with or without us
INTERVIEW: Lucienne Hernandez & Lourdes Quiñones on “Picando Alante”
PICANDO ALANTE will be screening at the Arlington Street Church on Thursday, 4/20
REVIEW: Mafia Mamma (2023) dir. Catherine Hardwicke
The second movie this month to invoke a "Mammia mia!" response
WENT THERE: Alice Diop @ the HFA
Appeared screening SAINT OMER 4/10
REVIEW: A Thousand and One (2023) dir. A.V. Rockwell
A dazzling tale of a mother and son surviving through the changes of New York City
REVIEW: Rye Lane (2023) dir. Raine Allen-Miller
With the birds and the bees and all those groovy things
