REVIEW: The Last Black Man in San Francisco (2019) dir. Joe Talbot
"You're not allowed to hate it if you don't love it."
Film Review
REVIEW: 5B (2019) dir. Dan Krauss and Paul Haggis
In the midst of a plague, a ward in San Francisco General went from curing to caring; forsaking to claiming; administering…
REVIEW: Late Night (2019) dir. Nisha Ganatra
When there are more questions than the host had prepared for
REVIEW: The Dead Don’t Die (2019) dir. Jim Jarmusch
It’s funny how expectations can set the tone for a film’s perception. When it was announced that indie film legend Jim Jarmusch…
REVIEW: Rocketman (2019) dir. Dexter Fletcher
Clad in a sequined orange and red devil costume, head adorned with horns with black tips, feathered wings and heart-shaped glasses sliding…
REVIEW: Godzilla: King of the Monsters (2019) dir. Michael Dougherty
For the amount of Godzilla movies there are in the world, it’s a little nuts to think that we still haven’t gotten…
REVIEW: Booksmart (2019) dir. Olivia Wilde
If worthy, future comedies shall be deemed as a "seminal fun anecdote"
REVIEW: The Souvenir (2019) dir. Joanna Hogg
In The Souvenir, a thoughtful reflection on an impactful time in an artist’s life comes together with splendid performances to create an…
REVIEW: Photograph (2019) dir. Ritesh Batra
A momentary portrait between strangers in Mumbai's busy streets
REVIEW: John Wick: Chapter 3 – Parabellum (2019) dir. Chad Stahelski
Five years ago, we were blessed with what was possibly the greatest action movie of this generation: John Wick, a simple movie…
REVIEW: Detective Pikachu (2019) dir. Rob Letterman
This review is probably going to come across as inherently biased. As someone who as never stopped playing the Pokémon video games…
REVIEW: Rafiki (2018) dir. Wanuri Kahiu
A loving romance between two atypical Kenyan girls rocks a neighborhood, and then a nation. Boppable beats and the sound of the…
