REVIEW: The Photograph (2020) Dir. Stella Meghie
Not just a series of stories– An atmospheric shift. To begin, there are many ways to describe what this film is:…
Film Review
REVIEW: Portrait of a Lady on Fire (2019) dir. Céline Sciamma
Sciamma's fourth feature is a modern romantic masterpiece
REVIEW: Citizen K (2019) dir. Alex Gibney
NOW PLAYING AT LANDMARK'S KENDALL SQUARE CINEMA
REVIEW: América (2018) dir. Erick Stoll and Chase Whiteside
"For our mothers"
REVIEW: Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020) dir....
Harley Quinn ditches the Joker and takes the DC Universe for a wild ride of her own
REVIEW: The Rhythm Section (2020) dir. Reed Morano
The Rhythm Section couldn’t be more out of sync
REVIEW: Les Miserables (2019) dir. Ladj Ly
Now playing at Coolidge Corner Theatre
REVIEW: Color Out of Space (2019) dir. Richard Stanley
For one reason or another, there haven’t been a whole lot of “definitive” cinematic adaptations of H.P. Lovecraft. Once you narrow the…
REVIEW: The Wave (2019) dir. Gille Klabin
Screens 1/17-1/18 @ Coolidge
REVIEW: Burning Cane (2019) dir. Phillip Youmans
Among the many discussions about last year’s The Irishman, few were longer than the film’s length run, which clocks in at about…
REVIEW: Underwater (2020) dir. William Eubank
As we’ve learned from films like The Abyss, Deep Rising, and The Meg, no one should travel to the bottom of the…
REVIEW: Just Mercy (2019) dir. Destin Daniel Cretton
Just Mercy, directed by Destin Daniel Cretton (Short Term 12) and based on the memoir of the same name by Bryan Stevenson,…
